These paintings are all part of the Repository series, which explores the way both the human body and the vehicle of painting serve to house personal memory and feeling. At once embracing and pushing against art historical tradition, the works operate in the slippage between abstraction and representation. The reductive color palette incorporates a range of essential dark blue, pink and flesh tones, in order to focus on the play between the description of form and gesture of mark. Evoking a dream-like quality, they are a reminder of the basic human emotions that connect us all, and the fluidity of human perception.
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